EU citizens flock to open-air cinemas as lockdown eases

As Madrid’s spring evenings warm into summer nights,
cinema-goers are parking up to watch Grease. In Munich, they are taking al
fresco seats to follow the adventures of a communist kangaroo with a penchant
for boozy chocolates, and in Prague they are witnessing a croaky vigilante work
out some profound childhood traumas.
As Europe begins to stir from its Covid-19 lockdown, people
bloated by two-month boxset binges have a new way to feed their entertainment
needs as they emerge, blinking, into the daylight. Or, rather, the twilight.
Open-air cinemas in Spain, Germany, the Czech Republic and
Greece have re-opened in recent days, albeit at reduced capacity and with the
novel strictures of physical distancing.
The Autocine Madrid Race drive-in welcomed 200 customers
back on Wednesday night with a screening of John Travolta and Olivia
Newton-John’s appropriately escapist and nostalgic paean to 1950s high school
life.
In normal times, the outdoor cinema screens films for 1,500
people at a time, but its co-founder, Cristina Porta, isn’t complaining. “It’s
been very, very good this week and we’ve have a very warm welcome back,” she
said.
“Our customers were mad keen to get back and the demand has
been huge. Drive-in cinemas are kind of made for life in the time of this
virus.”
As the Spanish capital emerges further out of lockdown, the
drive-in’s capacity will grow to 475 and then 850 people. Among the films
slated for the coming weeks are Ghostbusters, the Goonies, Mamma Mia and Pulp
Fiction.
“People are thrilled and are saying they want to spend the
whole summer here,” said Porta. “If you’re in Madrid, it’s a bit like going to
the beach.”
Open-air cinemas will begin reopening across Germany on
Friday evening, and indoor cinemas are expected to get the go-ahead from July.
Operators say they welcome the chance to be among the first
cultural institutions to be able to inject joy back into people’s lives.
They also recognise the responsibility they have. If
successful, their navigation of hygiene and distancing regulations will serve
as a blueprint for other cultural venues such as concert halls and performance
venues.
“We do this with both a laughing and a crying eye,” said
Christian Bräuer, the manager of the Yorck Kino cinema chain in Germany. “What
we’re doing doesn’t make sense financially … but it’s important that cinema
comes back into our lives.”
Revenue will be slashed because of the reduction in seating
to ensure spectators maintain the required 1.5 metre distance. Cinemas such as
the Friedrichshain Freiluftkino in north-east Berlin, which usually has room
for 1,700 people, has been reduced to just 500 seats.
Cushions taped onto benches determine where people can sit,
and with every other row kept empty, cinema goers will be able to enter and
exit without coming close to others and are advised to buy tickets online to
avoid queues.
Disinfectant sprays will be on hand and the wearing of face
masks, obligatory in many other public places, will not be necessary once
people are seated. They will to be worn, however, if people go to the toilet.
Munich’s Kino am Olympiasee is believed to be the first
open-air cinema to reopen anywhere in Germany. It will spool up the projector
on Friday night, showing The Kangaroo Chronicles, a film about a man who –
spoiler alert – opens his door one day to find a kangaroo standing there.
Rather than the usual 2,000 places, there will for now be
500 – either deckchairs or love seats - and tickets are only available online.
Out of solidarity to indoor cinemas that remain closed, €1 from each ticket
will be donated to a fund to support their survival.
Open-air cinemas in Greece will reopen on 1 June, operating
at 40% capacity and with the use of masks and hand sanitiser recommended for
customers.
One of Prague’s most evocative sites, the ghostly
half-abandoned Strahov stadium perched on a hill above the Czech capital’s
tourist attractions, has become the centrepiece for the revival of drive-in
cinemas in the city.
It has fallen into disrepair since the 1989 velvet
revolution triggered the downfall of the communist regime in what was then
Czechoslovakia and has since served as a football training ground and
occasional concert venue.
While the Czech Republic’s indoor cinemas were still closed
it staged the 2008 Batman film, The Dark Knight, on 12 May after Prague city
council, the venue’s owner, gave permission for a parking area to be turned
into a makeshift movie theatre with capacity for 120 cars. The admission price
is 350 koruna (£11.70) per car.
“The whole place has
a post-apocalyptic vibe. It is definitely a unique experience,” said Jakub
Dostál, the project organiser. “We wanted to find a way of getting people to
start socialising again.”
Indoor cinemashave also reopened with the obligatory
distancing requirements, but Dostal said response from cinema-goers had been
overwhelmingly positive.
Demand, however, has fallen from the first week, when every
night was a sellout, to an average of 70 cars a night. Dostal attributed the
decline to a shortage in newly-distributed films caused by the Covid-19
pandemic.
It is one of several drive-in cinemas to open in the city
recent weeks. Among other venues are a theatre near Prague’s Vaclav Havel
airport and another at a freight railway station in Žižkov.
One positive spin-off of the Strahov project has been a
reported drop in crime in an area reputed for night-time drug dealing. Bruce
Wayne would doubtless approve.